Golden Nose Awards

Yes, the New York clown community has its own awards show. Flying under the radar at the Krane Theatre on the Lower East Side, last night, individuals in street clothes, were publicly acknowledged for their contributions to the art form of clown.

Before and after the show there was socializing at Phoebe’s bar on Bowery and 4th where there was the usual talk about upcoming shows and gigs as well as more discussion of the Swiss clown Dimitri and his family who just finished a run at the New Victory Theatre. There were random smart people digressions on topics as diverse as the Food and Drug Administration and the public education system. I saw Kevin Carr, stand-up-comedian/actor/clown for the first time since…some year waaaaaay back during the last century, when we were both in the same Clown College class in Florida. Adam Gertsacov, another classmate, from back in the day, who books his flea circus and other solo shows at community events and schools, was also there –slightly stunned that this was his first social night out with a bunch of clowns since the birth of his son six months ago.

Barry Lubin, better known as “Grandma” of The Big Apple Circus, presented Dick Monday and his wife Tiffany Riley, who were in town from their home in Dallas, Texas (where they relocated for a more affordable lifestyle after having kids) with the Clowns of the Year award for their work as the ensemble The New York Goofs and for their teaching of clown skills in New York City for over 10 years. They remain a vital part of the New York clown scene returning several times each year to teach and perform.

Hovey Burgess, a master teacher in the NYU graduate acting program received a lifetime achievement award for his work as a circus and clown historian. Everyone knows him because he goes to everything and he is acknowledged somewhere in almost every book about American clowns and circus published in the past 25 years.

Deven Sisler, just back from Haiti, accepted an award on behalf of Clowns Without Boarders, a volunteer organization that sends groups of clowns to areas of crisis all over the world, including refugee camps, conflict zones and territories in situations of emergency.

Very cute, very young Spencer Novich, a student in the experimental theatre wing of the NYU drama school won an audience choice award for his eccentric dancing character and mid-career professional Joel Jeske and Mike Richter, and Christopher Lueck received one for their act “Musique”.

But, mostly the evening was a celebration of people who embrace the art form of clowning.

“There’s no competition here, we’re all fighting to make a living,” said Dick Monday as he picked up his award: “This does weigh a lot and it will keep the credit card debt in one pile.”

Exploring the Bozo Mystique…on…Feminine Terms

The show opened last night. The house was small (due in part to the fact that the “undergroundzero” festival of experimental theatre, was moved to the Manhattan Children’s Theatre from Collective:Unconscious space after a sewage leak forced the theater to close.) Kendall said she was told there would be signs and a live person in front of Collective:Unconscious sending audience around the block and across the street to the new location. But, there wasn’t. There were some advance sales who did not show.

Anyway the show went well. Not genius, but for the first time in front of an audience it was great. Some things, like Ginny’s Cinderella piece which needed an audience volunteer really clicked. It’s always scary to put a clown show in front of a real audience for the first time because contact with the audience is so important. More so than in scripted theatre, the performance changes with every audience. (This thought makes me nervous about the one shot I get to be on stage at the New York Clown Theatre Festival in September.)

At a bar after the show Kendall revealed that she had been contacted by someone from a high profile comedy show, after the New York Times article came out on Tuesday. Such things are taken with a grain of salt. Sometimes it’s just an assistant trolling for material, even when they don’t know what you do. A friend of mine started the Chad Everett fan club at her college to see if the student government would give them money. The student government funded the club and it and it was written up in the papers. She was contacted and invited to be on the David Letterman show. She assumed they knew it was a stunt since they’d found her through the newspaper. She was flown to New York and got as far as the green room before anyone actually read the articles close enough to realize she was in on the joke and her appearance was cancelled.

Kendall was very interested in what her friends had to say after the show, which images stuck with them and what they found funny or fascinating. It’s hard to tell in a rehearsal process. Something is cool, and then you rehearse it and watch it over and over, everyone in the studio has seen it so nobody’s laughing anymore and you don’t remember why it’s in the show. Then you put it in front of an audience and they are surprised and they laugh and you remember, oh yeah that was a good idea.

It’s weird that we have such a big article (half a page!!!) about our company in advance of a short work-in-progress at small festival. But, as Kendall said, you can’t control when somebody from the New York Times wants to write a story and you take the attention when you can get it.

It was pretty obvious to me that a man wrote the headline over the story by April Dembosky. What woman would write; “Exploring the Bozo Mystique, and Defining Funny on Their Own Feminine Terms’.
http://www.nytimes.com/2008/07/29/nyregion/29clowns.html?partner=rssnyt&emc=rss

Adam Gertsacov posted the article on his site, clownlink.com
Speaking of Adam, and Kendall and women in clowning…

Adam and I were in the same workshop at Studio Kaple in Nectiny Czechoslovakia (some years ago, it was actually about 4 months before Czechoslovakia turned into Slovakia and the Czech Republic. We had a heated discussion one evening, other people were included, but Adam