I don’t know why I’m still awake except that I saw someone else’s solo show tonight

Tonight I went to see Victoria Libertoire’s “The Should Dream”, part of the Six Figures Artists of Tomorrow Festival. My my mind wanders to what I would do alone on the stage. What would my show be??? For one thing I would wear more clothes. Burlesque is not my thing (especially after what I saw in the dressing room at the store today. My torso needs more Pilates than I can afford.) When I was pregnant I realized; “Damn I should not have been too shy to be naked on stage or in photographs.” That body was cute and now it’s gone. Forever.

Victoria had great rapport with the audience. The old performer that was the framing device at the beginning and end of the piece was my favorite part of the show. Some of the transitions were absolutely seamless. It was an admirable evening of theatre.

I’ve always wondered what a woman would do if she wanted to be a drag queen, I think it’s burlesque.

Sitting alone in my apartment looking forward to a theatre festival

I was feeling sad and lonely a few moments ago after pawning my kid off on someone else’s babysitter for a play date and then stopping at the Target in Atlantic Center for some bulk packs of paper towels and TP on the way home from the school’s early pickup–it’s parent/teacher conference day in our world. I was dwelling on the fact that one of the mommies I know has written more plays than I thought she had. Another friend has founded her own theatre company in New Mexico, (I don’t know if she is a mommy but her website is pretty impressive). Me I got nothin’…! So I looked up the website of the Six Figures Theatre Company which is producing the Artists of Tomorrow Festival at the West End Theatre beginning this weekend–which I am in thank you very much. I’ve worked there before in several of Kendall Cornell’s clown pieces. It’s a great space. It’s on the second floor of the Church of St Paul and St Andrew United Methodist Church. I think it used to be a chapel.

As a side note about theatre companies in churches; in my own neighborhood, the Irondale Ensemble Project has finished renovating the upstairs Sunday School room, and mounted a new production in their new permanent theatre space at the Lafayette Avenue Presbyterian Church (which was founded by abolitionists)–where my own baby went to toddler play group several times a week for the first two walking years of her life.–and opened their first show in the new theatre space. Some churches are really cool.

Anyway,

This coming weekend and for the next few weekends I will be on stage in; “Oh My Toe!…Why I Walk So Slow”, an theatrical experiment developed with children in the room, conceived by Lindsay Newitter.

In the same festival I am looking forward to seeing my friends:

Victoria Libertoire…
in “The Should Dream”; “An old vaudevillian illuminates the secrets of humanity. Victoria Libertore, aka Howling Vic, lip-synchs, shimmies and hula-hoops her way through perverse, profane and saucy characters including the crone, prostitute and hedonist. Libertore uses her trademark style of combining humor, sensuality and a touch of the inappropriate in this wild and cheeky montage”.

And

Amy Salloway…
who is from Minneapolis but who I knew when we were both part of the fringe theatre community in Seattle… is performing her solo show “Circumference”; “Ghosts of Gym Teachers Past meet the Fear of Fitness Centers Present and the Obsession with Weight Loss Future in an all-new solo comedy about size, sweat…and exercising your demons. From Minneapolis actor/writer Amy Salloway, creator of the hit touring productions “Does This Monologue Make Me Look Fat?” (Artists of Tomorrow 2004!) and “So Kiss Me Already, Herschel Gertz!” comes the show the Calgary Herald calls, “hilarious, honest and unsparing, with a great sense of pace.” Says The Ottawa Citizen, “…an appealing and marvelously funny performer…you can also add brave and original.” And from the St. Paul Pioneer Press, “A MUST-SEE: poignant, sensitive and hysterically funny.”

And

Jenny Lee Mitchell…
will be in the cast of “Dress”, “The war was over yet Communists were lurking in your backyard. Follow Susie, Ace, Betty, Bill, Madge, Mitch and Ralph the Negro Milkman as they navigate their way through Cold War paranoia and forced morality told in the Technicolor style of a 1950’s sitcom.”

That’s three nights for which I either need to arrange for a babysitter and make it a date-night with The Husband or confirm that he will be home from work in time for me to be able get to my friends’ shows by curtain time…

Is it possible to make theatre with children in the room?

That is the question of the current project I’m involved in. A call went put out for actors with children to work on a piece for the Six Figures Theatre Artists of Tomorrow Festival. I signed on with My Kid, even though she has no intention of performing. The director is pregnant and has a 2-year-old. One actress has a 3-year-old and another has a 10-month-old. Everyone at rehearsal, but the musician, has a kid that they bring to rehearsal but the musician. My kid is the oldest, the only one who even knows what is going on. But, she comes willingly because she likes playing with the babies. Sometimes it’s complete chaos more like a playgroup or toddler music class with the 3-year-old running and screaming and the 2-year-old refusing to relinquish the musician’s song sheet and the baby moving around the room followed by her mother who is pinching off bits of banana and placing the food in the baby’s mouth like a mother bird. My Kid adds her own notes to the cacophony.