Pretty Pretty…Miss Pettigrew Lives For A Day

Shiela Callahan’s “Pretty Pretty; or, The Rape Play” closing tonight at Rattlestick Playwrights Theatre in the West Village and the 2008 film “Miss Pettigrew Lives For A Day” starring Frances McDormand and Amy Adams don’t have a damn thing in common except that I saw them both within the same 24-hour period.

S0 these two pieces have been on my mind for the last so many hours…and…

I am so proud of Sheila’s play.  Watching it,  knowing her work.  She’s a friend from an Annex Hothouse in Seattle at the turn of the century…   It’s–her style, people, stuff (and she has a lot of stuff)…pushing buttons.  The last 20 minutes, when the (**spoiler alert!!–but it’s closing this weekend so if you’re not there now you’re not going to see it–too bad for you it’s really good) screenwriter was taking imaginary questions–all of a sudden it was powerful.  (Like Whoopie Goldberg’s monologue about the Valley Girl who gets a coat hanger abortion, all light and fun and stereotypes and then crack, crunch, the turn of the screw-key-handcuffs..Oh Man HARSH!)

 All of a sudden Sheila’s play came together.  Rape/Abortion/Anorexia/Sisters/Jane Fonda/Casual Sex/Marriage/Social Situations/Formal Dresses/Guns-and-sex movies and video games/Alcohol/Abu Ghraib/Burkas/Doctor patient relationships/Mothers…What the H…!  And that’s why she got so many write ups this time and John Lahr  of the The New Yorker called her out as a playwright to watch.

And

In “Miss Pettigrew Lives For A Day”…The young people…they don’t remember the last war…no they don’t…they don’t know…Love is all there is…

In my mind these two pieces are about women in the world…

It’s like this…and that…

No really!  It is!

going home after a performance

 

In the tunnel underneath 14th street I pass a man offering his wares; 

                                                                       A New York Times

                                                                      Published Poet

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On my way to the F/on my way to W4/ to change to the A /passing a young guy on a bench with his little moleskin journal and his black backpack and his mustache and his shadow of a beard waiting for the L to take him to Williamsburg where the hipsters live/A Chinese man reading a Chinese newspaper/Another man listening to headphones reading an article, “New Designers Worth Investing In”/Essence Music Festival swag bag on the shoulder of a young woman and a drum encased in a GORE-TEX travel case/The woman changing from ballet flats to ankle boots readying for the next event of the night/Red lipstick and black Bettie Page bangs/I hear piano music, where is it coming from, is it a tape?  Oh my God there’s a guy on the opposite platform sitting at a wooden upright piano. How did he get it down here?  Did some friends of his, out of work stage hands and grips bring it down for him?  Is he planning to play all night?  Is he just waiting for a train? With a piano?

On the subway a man and a woman who look to be security guards talking about changing jobs and 401K’s, the second conversation I’ve overheard today about career benefits and advancement in the industry of keeping the rabble away from the rich.

The skin tones of most passengers going home on this midnight train are darker than the ones who ride home in time for dinner during rush hour.

What was I thinking about?  Oh yeah, clownmommy.com 

I’m a mommy and today I am a clown:

7:00 am up and out on the train to school by 8:30

Coffee and writing at Joe’s in the West Village.

Lunch with The Husband near his office in Rockefeller Center.  He’s been busy and we haven’t had a chance to talk through some of the logistics of life including but not limited to the fact that My Sister is in town on business and My Kid has ALL NEXT WEEK off from school.

A little shopping, there was a big sale at Tristan which happens to be in the building where The Husband works.  Just trying to look a little more like I belong in Rockefeller Center.

Then I go to a Duane Reade drug store.  Whenever I’m in a new show I buy something at the drugstore on the way to the theatre on opening night.  It used to be because I needed a color for the show different from my real life palate or I forgot to bring bobby pins, or my old mascara had dried out.  That is still true, but it has also become a personal opening night tradition, a good luck gesture.  It is the beginning of my preparations to go in front of an audience  before I even get to the theatre.  It’s a ritual.

Gotta get on the train again and go collect My Kid from her after school robotics program.  The kids haven’t come down yet.  I talk to other mothers about the winter break.  J is going on a family ski trip to Utah.  M is taking her kids to Florida.  Working parents without a winter break register their kids for one of several available mini daycamps.  I’ve registered My Kid for the two days I need next week.

 “Come on honey, we’ve got to go into Manhattan.  Mommy’s got a show.” 

“Sure you can have money for something from the YMCA bake sale”, anything to keep us moving steadily towards the venue for the 6 o’clock call.

Get on the train.

Get off the train.

Here’s the deli, need water, Odwalla Super Protein, and that Greek yogurt that tasted so good yesterday.  This is mommy’s dinner.  You’re going to eat with Daddy.  Vanilla milk?  OK, sure.

Here we are.  There’s the stage.  Now lets go upstairs.

Hi this is My Kid.  My Kid this is Everybody.

Jef doesn’t want us to put on too much makeup.  He wants us to look natural.  He’s worried we’re putting on too much makeup  Does he know we (the women) all wear makeup to the clown labs?  We do.  He’s just never seen us put it on.  Just because it’s not as drastic as his Slava Snowshow makeup doesn’t mean we’re not wearing it.  He worried that would be too much or that my lips will be too red (therefore making a comment on the red sweatsuit in a way that presents an unintended stereotype).  I’m not doing that. (If I did I would have deliberately spent time at the drugstore choosing a lipstick that exactly matched the bright red of the clothes wear in the show.  I had the chance and I didn’t.)  He doesn’t know how many  mommies reapply their lipstick just before picking up their kids from school.  (My mom always used to apply fresh lipstick before going to the grocery store.)  This is normal and the lipstick I use is one I carry on ordinary days.

AND THEN he goes and hairsprays and blow dries Drew’s hair into some kind of sculpture!

The eyeliner and mascara is just to look awake.

“If Mommy’s looking in a mirror and applying eye makeup, that’s not a good time to jump on her back.  OK, honey!”

“OK please let go of Mommy’s legs.  Mommy is trying to change clothes now.”

“Let go of Mommy.  My cellphone is ringing.  Can you find it for me in my purse?”

“Hello Daddy!  Are you downstairs?  Good!  I’ll bring her right down.”

OK DADDYS HERE BYE BYE

“Have a good dinner.  Do your homework.  Please be asleep when I get home.”

Warm up in the space.  Feel the vibrations.  Can’t go to the bathroom now.  The house is about to open.

Jef Johnson’s CLOWN LAB

presents

Clownical Trials

In situ modulation using perception action coupling 

and combined object vectors

1st PUBLIC INTERFACE

02.12.09

 

In the “white box” of the THEATRELAB  studio/gallery/performance space at 137 W 14th St, New York City, we present for the audience something that to my mind would feel comfortable at the Guggenheim Museum.

It starts with all of us crammed behind a flat making choreographed entrances and exits.  We move around each other fitting into the small space like Tetris blocks in a video game.

Then the entrances and introductions and improvisations

shhhhhh

masks

and exit

solo, solo, solo, solo, solo, solo 

each with objects

I am  third

group effort audience participation

Thanks for coming

Wine and cheese upstairs

talk of clown and Seattle and video editing

Getting tired, remembering tomorrow is a work day and a school day and a busy day.

Good-bye.  Good-bye.  Good-night.

Home at last.  I come in the door, set down my keys.  Hoping against hope, I look for the valentines–still in the box (Wall*E this year) neither addressed or signed and the lollypops, still sealed in the bag, are not attached to the valentines with the scotch tape that is just right there!  Supervision of such is my job and I wasn’t here– I was off being a clown.  Well at least I had the foresight to buy these supplies a week ago, there is still time before school tomorrow morning.  

It’s so late and I’m so tired, but the fact of the makeup, (though minimal), and the hairspray, and the bare feet require a shower before I can get into the bed.

In bed checking my e mail on the laptop.   I forward to the class list an e -mail regarding deadline for the art  fundraiser.  There is a reminder about registering child for spring soccer program (must have talk with My Kid about how much she wants to play)…last chance for discounted family tickets to RBBB Circus…   Did I follow through with that other mother about pick-up and drop-off?  Is my child supposed to bring something to her Brownie Troop meeting after school tomorrow?  Where’s my cellphone charger?  Are we out of milk?   Did I hear a mouse???

Tomorrow… is… another school day… another show day… another busy day…

Everyone’s asleep…but me!

Cookie Deadline Emergency!

Last year I was such a good mommy helping My Kid sell her Girl Scout Cookies to the neighbors and the folks at the diner and showing others who didn’t even want the cookies how to avoid the calories by sending them to the military troops overseas (so My Kid could get her Girl Scout Cookies for The Troops badge). This year I have done nothing. Zero. Zip. Nada. Squat. Nothing.

Therefore my kid has sold nothing. Zero. Zip. Nada. Squat. Nothing.

Sooooo. The sale ends this weekend…. Yikes!!!!!

I am scrambling to find out the price of a box of cookies. I am that out of the loop!

Bad timing. The sale started in December not long before Christmas break. Need I say more…

My sister came from LA for a visit.

We went to Hawaii for a conference and My Kid missed the first week of school.

Our return was delayed and we took the red-eye from Seattle arriving back in Brooklyn at 6:30 am Monday morning. The Husband stopped at home just long enough to take a shower before going in to the office.

My Kid got to school on time so she could touch base with her teachers and classmates on the last day before the @#$%^! No Child Left Behind 3rd Grade English Language Assessment Two-day-long Standardized Test!

The Husband was too busy and too new at his job to let anyone know his household contained a cookie pusher and take orders at the office like I wanted. Last year he took orders from his team but by the time the cookies arrived the company had been sold and the staff had scattered and we were left with a lot of extra cookies. I don’t want to do that again.

And now the sale ends in 4 days! I don’t want My Kid to sell NOTHING!

Just trying to sell enough to get the participation patch…and maybe the cookies for the troops patch…

As for the Girl Scout incentive prizes; pajamas, beach towel or USB Band and iPod Nano (for selling 1000 or more boxes of cookies) Fageddaboutit!

hot shower in the hope of relieving free-floating stress

I just got out of the shower, my second today. I didn’t get to the gym, but I allowed myself a nice hot mid-day shower because I am trying to get a handle on all this free-floating holiday stress. As a class parent I am way too anxious about the amount of money we have collected for teacher holiday gifts. I feel completely guilty because I have not been getting my maybe-she-has-a-cold-maybe-she’s-sick-maybe-she’s-just-tired kid to school on time. We’ve been 15 minutes or more late most days this week AND AS CLASS PARENT I AM SUPPOSED TO BE THE PERSON PEOPLE SEE AT DROP-OFF so they can give me cash for the teachers annual snowflake/snowman/polarbear/penguin secular holiday winter gift. I feel so much anxiety about this that it becomes obvious to me: This tiny task is a stand in for the anxiety I have about the larger economy in general and The Husband’s job in particular; various extended family members in various states of not-quite-OK; me producing a beautiful Christmas spectacular in my living room seven days from now including purchasing every speck of food and drink and toilet paper in advance because the stores are closed on Christmas Day (well maybe not TP the Korean deli will be open); clown work I am not promoting adequately; writing I am not doing; friends I am not seeing; Christmas cards I have completely blown off; how much energy–if any–will I have to devote to coaxing my spouse and offspring to a proper Christmas Eve Mass; when will I ever make it to the laundromat; the safety of Obama and his family; and as always–cleaning the apartment.

So I took a hot shower…

And as I was in the shower, I was remembering when My Kid was a walking baby and at the breastfeeding support group we were going around the circle sharing the ways we relive stress and I said I dragged the baby bouncer into the bathroom, sprinkled some Cherrios on her tray and took a long hot shower. I was very proud that I had a suggestion AT ALL! But, some buzz-kill PC mommy had to remind everyone that we should conserve water. I was chagrinned, embarrassed, guilty. Only in hindsight could I justify my position: “Hey I live in a walk-up, without a dishwasher and I have to cart my laundry (with my baby in a carrier on my back) several blocks in order to do it in a coin-operated public place. We had cars in Seattle but we don’t in Brooklyn. I think my global footprint is small enough to allow me take a hot shower to relieve stress when I am alone with a toddler and even though it seems like mid-day it could be ten hours before The Husband comes home from work!”
Wow!
That was a long time ago. Apparently I didn’t kill my kid. She is a beautiful confident 3rd Grader.
I just wish someone had been there to say “This too shall pass.” I am aware of how fast children grow. Yet…In the grand scheme of things– what future successful private practice medical resident can think beyond laying down to sleep within the next 30-minutes after being awake and working for 36-hours straight? Mommies are not much different.

The show was fun today with lots of tots in the house!

We had a lively audience of people who were less than 3 feet tall. The Husband and My Kid were there and our friends with their 3-year-old and 6-month old. The performance felt a lot different today with so many little ones participating. Nobody really cares what we do when there are walking babies on the stage. Stakes are low and fun quotient high. It really worked today! Too bad we’re done.

There was talk of an extra show next week at the festival party showcase. But, we’ve got some scheduling issues in the cast and so we’re not going to do it again. I didn’t think it would ever turn anything more than a baby-music-circle-time-class on stage the first time we met to rehearse and got absolutely nothing done with the kids there in the space too. (But I’m a pessimist.) In the end we did develop something that was much more and it has potential to rise out of the diaper bags again.

I had a nice conversation with Amy Salloway who is in NY to perform her solo show, “Circumference”, at the festival. The Husband and I know her from Seattle when we were all in the fringe theatre scene out there. Amy said she was recently in Seattle and a lot of the funky old theatre spaces we use to know are gone. All slick and no charm now I suppose. She said the young people on Capitol Hill are all working a high maintenance goth look. Grunge was so a much easier. I totally used to wear a black skirt over leggings with Doc Marten boots with an oversized t-shirt under a plaid shirt on top. So did everyone else. (It bugged me so much when Bridget Fonda had it wrong in the movie “Singles” because she wore black nylons with her Doc Martens. The Hollywood foreigners co-opting our Northwest style got it wrong! Only opaque leggings or tights were ever worn under a skirt with Doc Martens!!!! (I suppose because I wore Doc Martens with skirts, I have no right to criticize the young ladies of New York in their UGG ugly boots.) Amy is loving New York and wants to live here. But how. How does one come up with the cash, or the job, or the relationship, or the scholarship to project ones self from the West or the Mid-west all the way to New York City to do theatre. It’s hard.

After we left the West End Theatre today, we walked down to 84th and had lunch at Ollies. Then we walked down to 72nd to catch some air before catching the train. That took about three hours because the 3-year-old and the 8-year-old had some shopping to do… My Kid introduced a pre-schooler to the wonder that is Claire’s. All those accessories. My Kid who does not yet have pierced earrings can’t get enough of the clip-ons. That store used to be for the tweens and teens who cruised the malls, but now with all the Hannah Montana, and Princesses and even Dora accessories, they’ve lowered their target market age to include the pre-school set.

Home now and My Kid is watching TV and The Husband is taking a nap.

My goal is to get them to the Brooklyn Lyceum by 8:00 pm tonight to see The Civilians “Brooklyn at Eye Level” at the Lyceum. It’s a theatre piece based on interviews with real people involved with the Atlantic Yards development (which I hate so much I could go on for pages and pages about how awful it is). The mommy friend we saw today is involved with The Civilians theatre company. Her biased opinion was that the show is great and we must see it.

OK blogging time is over now. My Kid is hungry.

The Yellow Kid of my youth

 

 

The Yellow Kid
The Yellow Kid

Last night out in cyberspace I came across video of the 1995 Annex Theatre production of The Yellow Kid.  Seeing it again… an amazing production–so ambitious in scope for a Seattle fringe theatre company– has me revisiting what is important in my life and how I respect or disrespect my own art.

In a September 21, 1995 Seattle Times interview, Brian Faker told Misha Berson:

“The thrust of our play is the decisions an artist makes – what do you do just for the bucks, and what do you do for your heart’s inspiration? In the end Outcault actually murders the Kid, symbolically destroying something in himself.”

Low-budget production

The struggle to earn a living while maintaining one’s artistic integrity is one that Faker, 35, a versatile stage actor with credits in many Seattle theaters, knows intimately. Currently living on unemployment benefits, he scrambled together $1,100 to finance this shoestring fringe production.

“We’re doing `Miss Saigon’ at the Annex,” he laughs. “We’ve got 27 actors, a cat, a goat, two dogs, 200 slide projections, film, rolling scenery. It’s just a monster.

“We’re funding this completely out of pocket – and out of favors. My wife (actress Peggy Poage) is probably our biggest contributor. And a lot of other people just decided to go insane with me on this.”

 I was in that production and The Husband was in the booth as stage manager.  We began dating during the run.  A framed poster from the production hangs in our living room, next to photos of My Kid as a toddler in long yellow shirt.

Sitting alone in my apartment looking forward to a theatre festival

I was feeling sad and lonely a few moments ago after pawning my kid off on someone else’s babysitter for a play date and then stopping at the Target in Atlantic Center for some bulk packs of paper towels and TP on the way home from the school’s early pickup–it’s parent/teacher conference day in our world. I was dwelling on the fact that one of the mommies I know has written more plays than I thought she had. Another friend has founded her own theatre company in New Mexico, (I don’t know if she is a mommy but her website is pretty impressive). Me I got nothin’…! So I looked up the website of the Six Figures Theatre Company which is producing the Artists of Tomorrow Festival at the West End Theatre beginning this weekend–which I am in thank you very much. I’ve worked there before in several of Kendall Cornell’s clown pieces. It’s a great space. It’s on the second floor of the Church of St Paul and St Andrew United Methodist Church. I think it used to be a chapel.

As a side note about theatre companies in churches; in my own neighborhood, the Irondale Ensemble Project has finished renovating the upstairs Sunday School room, and mounted a new production in their new permanent theatre space at the Lafayette Avenue Presbyterian Church (which was founded by abolitionists)–where my own baby went to toddler play group several times a week for the first two walking years of her life.–and opened their first show in the new theatre space. Some churches are really cool.

Anyway,

This coming weekend and for the next few weekends I will be on stage in; “Oh My Toe!…Why I Walk So Slow”, an theatrical experiment developed with children in the room, conceived by Lindsay Newitter.

In the same festival I am looking forward to seeing my friends:

Victoria Libertoire…
in “The Should Dream”; “An old vaudevillian illuminates the secrets of humanity. Victoria Libertore, aka Howling Vic, lip-synchs, shimmies and hula-hoops her way through perverse, profane and saucy characters including the crone, prostitute and hedonist. Libertore uses her trademark style of combining humor, sensuality and a touch of the inappropriate in this wild and cheeky montage”.

And

Amy Salloway…
who is from Minneapolis but who I knew when we were both part of the fringe theatre community in Seattle… is performing her solo show “Circumference”; “Ghosts of Gym Teachers Past meet the Fear of Fitness Centers Present and the Obsession with Weight Loss Future in an all-new solo comedy about size, sweat…and exercising your demons. From Minneapolis actor/writer Amy Salloway, creator of the hit touring productions “Does This Monologue Make Me Look Fat?” (Artists of Tomorrow 2004!) and “So Kiss Me Already, Herschel Gertz!” comes the show the Calgary Herald calls, “hilarious, honest and unsparing, with a great sense of pace.” Says The Ottawa Citizen, “…an appealing and marvelously funny performer…you can also add brave and original.” And from the St. Paul Pioneer Press, “A MUST-SEE: poignant, sensitive and hysterically funny.”

And

Jenny Lee Mitchell…
will be in the cast of “Dress”, “The war was over yet Communists were lurking in your backyard. Follow Susie, Ace, Betty, Bill, Madge, Mitch and Ralph the Negro Milkman as they navigate their way through Cold War paranoia and forced morality told in the Technicolor style of a 1950’s sitcom.”

That’s three nights for which I either need to arrange for a babysitter and make it a date-night with The Husband or confirm that he will be home from work in time for me to be able get to my friends’ shows by curtain time…

This fall we relived the stress and anxiety we had in 2001

From the Wikipedia entry on the topic of “Recession” and where I was at the time:

According to economists,[39] since 1854, the U.S.A. has encountered 32 cycles of expansions and contractions, with an average of 17 months of contraction and 38 months of expansion. However, since 1980 there have been only eight periods of negative economic growth over one fiscal quarter or more[40], and three periods considered recessions:
January-July 1980 and July 1981-November 1982: 2 years total (GRADUATED FROM HIGH SCHOOL AND WENT TO COLLEGE IN MY HOME TOWN)
July 1990-March 1991: 8 months (AFTER GRADUATING FROM CLOWN COLLEGE CLOWN–WORK AVAILABLE WAS IN JAPAN)
November 2001-November 2002: 12 months (HAD JUST MOVED TO NEW YORK CITY)
From 1991 to 2000, the U.S. experienced 37 quarters of economic expansion, the longest period of expansion on record.[40] (“THE BLUEST SKIES THAT YOU’VE EVER SEEN ARE IN SEATTLE”)

Women’s Theater Project

Yesterday I received an e-mail, forwarded to me by Kendall Cornell.  The Women’s Theatre project was papering their Off-Broadway house for a play about a clown.  So I went.  It was a much nicer theater than the ones I usually get to play.  The stage was large and the grid was jam-packed with lighting instruments. Most of the primary people involved in the production listed a Yale degree in their bios.  That theatre seemed out of my reach and yet the play was obviously written by someone who is not very old and reminded me of shows we produced at Annex Theatre in Seattle where, incidentally, quite a few company members had gone to or would go on to Yale.

After the play, “Aliens with Extraordinary Skills” by Saviana Stanescu (MFA, NYU); directed by Tea Alagic (MFA, Yale); featuring Natalia Payne (BA, Yale); Set Design by Kris Stone (MFA, Yale); Costumes by Jennifer Moeller (MFA, Yale); Lighting Design by Gina Scherr (MFA, Yale); Music and Sound design by Sarah Pickett (MFA, Yale), I walked alone to the Times Square subway station.

My heart raced, as I looked at the marquees and the after theatre crowd brushed by me with their playbills in their hands.  I was remembering my very first trip to New York.  I took the train from Washington D. C. (where I had an internship in the Women’s Division of the Democratic National Committee when Geraldine Ferrarro was running for Vice President on the Democratic ticket with Walter Mondale) to visit Kathy McNenny, who I knew from home.  She was attending Julliard and living in a room, not much bigger than her mattress, in a very scary building in Hell’s Kitchen across the street from Studio 54.  I was afraid I would be raped every time I got on the elevator.

I saw 6 shows in about 48 hours.  I went with Kathy and her boyfriend to see a play at The Irish Rep because a friend of theirs was in it.  There was a lot of real dirt on the stage.  I saw ” A Chorus Line” because I had always wanted to see it.  I had received the album as a birthday present in grade school and had listened to, memorized, and performed, for my drama class, a deeply felt rendition of “Nothing” (just like all the other high school theater geeks my age).   After “A Chorus Line” I went directly to another theatre to see Whoopi Goldberg’s late night performance, because Kathy told me that was the must see show everyone was talking about.  I was blown away proclaiming that we would soon hear of her in Montana.  “The Color Purple” was in movie theaters the next year.  As soon as I woke up I went directly to the TKTS booth in Times Square to see what I could see.  I wanted to see “Sunday in the Park with George” because I wanted to sing like Bernadette Peters, even though my voice teacher was always telling me not to (apparently I had a lovely voice of my own or some such drivel…)  But, there were no TKTS tickets for “Sunday in the Park with George” so I got a ticket to “Forbidden Broadway” and went and sat on the ground outside the box office of the theatre where “Sunday in the Park with George” was playing and waited with a few other people until curtain time to see if there were any returns.  I blushed with pride when someone in the ticket line, told me I looked like a real New Yorker and not at all like a tourist, sitting there on the ground and scribbling in a notebook, in my dark oversized coat full of pockets.  The woman in the ticket booth told me she had some obstructed view seats but they weren’t worth it because they were way off to the side and you couldn’t see the amazing set come and go.  So I waited until almost 8 o’clock and then ran down the street to use my ticket to “Forbidden Broadway” which I didn’t find funny since I wasn’t familiar with most of the shows and certainly none of the personalities being parodied.  I went to Greenwich Village to see “The Fantastiks” because I adored that musical, having seen a such sweet chamber production of it in Missoula, accompanied by two grand pianos (or one grand piano and a harp–anyway it had been beautiful) and ever after wanted to be a good enough soprano to sing the role of “Luisa”.  I believe I also saw “Le Cage Aux Folles” on Broadway that weekend. (“I Am What I Am” is a favorite song and I harbor a fondness for drag queens.  “Pricilla Queen of the Desert” is one of my favorite films.)  Between the shows I walked around and ate bagels and slices of pizza.  My first bagel in New York was schmeared with an enormous amount of cream cheese and the man behind the counter said something to me that made me think he gave me extra for good luck on my first day in New York.  All the money I had went for theatre tickets.  No restaurant meals, no drinks.  I didn’t even know at that point in my life that I ought to buy food or wine or a gift for my host who I actually never saw after joining her for the one play.  She was so busy with classes and rehearsals.  She told me when she first came to New York she tried to live in Queens (where the rent was lower and the rooms were bigger) but it was just too far away.

If Queens was too far away from Broadway, how very much more difficult must it be to get there from Missoula, Montana.  Although both Kathy McNenny and JK Simmons succeeded.  They represented the only two ways I knew of to get to New York.  JK Simmons didn’t go to New York until after he had his Equity Card.  I knew this because his brother David was a friend of mine and his father was my freshman advisor at the University of Montana.  I also knew that his skills included the ability conduct an entire orchestra!  (He was very nice to me and invited me out for a drinks with the cast after I sent a note backstage, via an usher, letting him know someone from Missoula was in the audience, when I saw the touring production of the short-lived broadway musical “Doonesbury” in which he played a small part and understudied most of the others. –It was during same fall term of my political internship as that first trip to New York.)  The other way to get to New York, as I understood it was to get into a school, scholarship necessary.  Kathy McNenny was able to do this after first attending the University of Montana.  I remember other drama majors, eager to get on with their lives after college, talking about Kathy’s decision to go to Julliard where she would have to pay for another bachelors degree, instead of going to the Globe in San Diego which offered her a full-ride, an MFA and an Equity Card.  But it wasn’t in New York.

 Kathy knew what she was doing and I was not in the same league.  In high school she was a competitive swimmer with a near perfect GPA,  president of the Thespian Society, in the select show choir and involved in many other organizations that involved having her photo in the high school year book.  She taught swimming lessons and visited schools as Captain Power for the local utility, possibly the only paying costumed character gig in the entire region.  When she was a senior and I was a junior, she played the title role in our high school production of “The Prime of Miss Jean Brodie”.  I played one of her pupils who grew from child to adult under her tutelage.  I was the only actress who did not have to bind for the first scene and had to stuff my bra for the last scene.  That pretty much says it all.

What Color is Barack Obama

I spend quite a while yesterday morning online researching Sarah Palin’s racism both overt and implied.  So this evening on the subway when My Kid asked me what color Obama was…

I immediately started going through the Rolodex of my mind searching for facts I could tell her about his white mother from Kansas and his black father from Kenya and how the met in Hawaii and how some people get divorced. Also some foolish people with light skin like Sarah Palin decide not to like people who have dark skin like the Obama family, and say words like “those people” to mean they don’t want to even try to be friends.  Even though they are grownups, they have not yet learned the lesson of “The Sneeches” by Dr. Seuss.

Stalling for time I asked; “What do you mean what color is Obama?”

She wanted to know if he was BLUE or RED!  

I remembered an essay I once read by someone, who, attending a gay wedding and reception at a church in Seattle,  wondered what carefully crafted words about love and relationships would be prepared for the child who was marveling at the weird thing he had seen.  That strange thing the child had never seen before turned out to be a rotary dial telephone.